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Piers Morgan and Candace Owens Roast Meghan Markle’s Cooking Show
In a recent segment that could only be described as a comedic takedown, Piers Morgan, along with Candace Owens and Maya Peterson, unleashed their thoughts on Meghan Markle's new cooking show.
The trio had a field day, barely able to contain their laughter while dissecting the absurdity of Markle's latest venture.
It's not every day you get to witness three sharp minds given free rein to critique a project that many deem cringeworthy.
Morgan kicked off the roast with his signature dramatic flair, expressing his reluctance to even engage with the topic.
“I don't really want to do this,” he sighed, but quickly acknowledged the necessity of discussing it.
Meghan Markle, once a royal and now a Netflix personality, is attempting to portray herself as a down-to-earth housewife baking pies alongside her friends.
But is anyone buying it?
Candace Owens wasted no time jumping in with her trademark wit.
She pointedly remarked on Markle's departure from the royal family, highlighting the irony of her current lifestyle.
“She left because it was so unattainable, yet here she is in Montecito baking pies with her perfect little friends,” Owens quipped.
Her sarcastic question, “Do you believe in magic?” encapsulated the disbelief many feel about Markle's attempts at relatability.
The cooking show, which seems intended to evoke feelings of connection, falls flat when juxtaposed with the everyday struggles of most people.
“Who wouldn't want to watch Meghan bake pies while the rest of us are just trying to afford gas?” Owens mused.
The stark contrast between Markle's glamorous kitchen and the realities faced by average viewers is hard to ignore.
Markle's portrayal of herself as the “real Meghan” raises eyebrows.
What exactly is she marketing?
Owens pointed out that the pristine, picture-perfect kitchen scene is anything but relatable.
“Seriously, who thinks, ‘I wish I could bake in a multi-million dollar mansion like Meghan Markle?'” she challenged, driving home the point that her lifestyle is worlds apart from that of ordinary citizens.
The conversation took a more personal turn as the hosts reflected on Markle's struggle to connect with the public.
Despite efforts to present herself as just another person, she remains ensconced in a life of luxury.
“What's her secret to a normal life?” Owens asked rhetorically, before revealing the punchline: a sprawling mansion, a hefty bank account, and a lifestyle so extravagant it rivals even the Kardashians.
As the commentary progressed, Morgan and Owens delved deeper into the delusions surrounding Markle's image.
They questioned whether she truly grasps how disconnected she appears.
If she does possess that level of self-awareness, it's a rarity that few have witnessed.
The irony peaks when they note that the mansion featured in the background of her show isn't even hers; it belongs to her neighbor.
At this juncture, the discussion shifted toward the notion that Markle's show resembles a parody more than a genuine cooking series.
Morgan aptly described it as something that would fit perfectly in a spoof, rather than a legitimate television program.
The “Royal Montecito” vibe she attempts to convey comes off as utterly ridiculous.
Owens added to the hilarity by comparing Markle to iconic figures like Oprah Winfrey and Victoria Beckham, emphasizing how laughable it is for a former D-list actress to try and blend into their league.
Unlike those women, who have lived the lives they portray, Markle seems trapped in her past, desperately trying to present herself as someone she is not.
Ultimately, the motivations behind Markle's cooking show become glaringly obvious.
It's all part of Netflix's strategy to capitalize on her celebrity status, but the execution leaves much to be desired.
What results is a cooking series that feels more like a poorly crafted comedy than a heartfelt culinary journey.
As for the future of this endeavor, the consensus among Morgan, Owens, and Peterson is that it's destined to fail.
And when it does, Markle will likely resort to her usual excuses—blaming external factors like wildfires or the pandemic, rather than acknowledging the shortcomings of her own project.